I start off this episode with a shout-out to some awesome author friends of mine who have been doing dynamite work recently: children’s author (and my illustrator for Hello, Halloween) Donovan Scherer; award-winning horror author Matthew Harrill; and hilarious master parodist Paul Erickson. Pick up their books for your loved ones this Christmas!
Now, on to the meat of the show, where I read you the first story from my book Christmas Calamities. ‘The Lost Helper’ tells the tale of a poor elf left behind in a family fireplace on Christmas Eve. Things only get worse when the household children discover him. Will he be able to get back to Santa in time?
Listen in to find out!
And while you’re at it, pick up the book! ‘The Lost Helper’ is only one of several fun holiday yarns therein. It’s inexpensive, easily transportable, and makes a great stocking stuffer. Enjoy!
Per Wikipedia, “Literary fiction is a term principally used for certain fictional works that hold literary merit. In other words, they are works that offer deliberate social commentary, political criticism, or focus on the individual to explore some part of the human condition. Literary fiction is deliberately written in dialogue with existing works created with the above aims in mind. Literary fiction is focused more on themes than on plot.”
What is “popular” fiction?
Also per Wiki, “Genre fiction, also known as popular fiction, is plot-driven fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.[“
“Literary fiction is more character-driven and less concerned with a fast-paced plot than genre fiction… [but…] Just as the best genre novels are populated by well-crafted fictional characters, so the best literary novels have page-turning plots.”
Exactly. I find this whole distinction suspect. Read Faulkner, then Dunsany. What makes the first “literary” and the latter “genre” fiction? Who’s to say the Faulkner is better?
On my bookshelf, Seamus Heaney’s translation of Beowulf sits next to Tim Powers’s The Anubis Gates. Dostoyevsky’s Notes from Underground butts against Robert Ludlum’s The Bourne Identity, Dickens’s Great Expectations shares shelf space with Stevenson’s Kidnapped, Thomas Mann’s Death in Venice kisses up to Ian Fleming’s Dr. No, and the shadow of Robert Heinlein’s Stranger in a Strange Land falls upon Joseph Conrad’s Heart of Darkness.
Here’s the thing: I don’t think any one of these tomes is necessarily, objectively better than any other. I enjoy some more than others, and some I appreciate more at certain times than others (depending on my mental state and emotional mood), but none of that shows that Dickens is somehow more “literary” – that is, of higher quality – than Heinlein. They were both popular authors of their day. They both have something to say, a worthwhile message to pass along. They both use the tools of language and story to convey it. Why do snooty English majors turn up their noses at one, but not the other?
Enjoy my lecturings! I gave this talk to a group of 9th graders a few weeks ago, and they got a kick out of it (though I think I kind of terrified them). Now it’s your turn to listen in, read along, and enjoy the fun.
And an announcement:
This weekend – Friday, February 27th through Sunday, March 1st – the books below are available for FREE on Amazon. Pick them up!
And for the next five days (through March 4th), the books below are ONLY $0.99!! Grab them as well.
Enjoy the reads, and thanks for listening!
If you do like my books, please review them on Amazon! And if you like the podcast, please rate and review it on iTunes, comment below with what you’d like to hear me talk about, email me at firstname.lastname@example.org, and most importantly, subscribe to the Fun with Fiction newsletter! I’ll send you all kinds of free stuff and good news (but no more than once a week), 100% spam-free.
Now to business. After a two-week holiday hiatus, I have returned with a vengeance, ready to kick 2015 in the arse in the best way possible. And what better way to start the year than by listing some of the great books I plan to read in the next 52 weeks?
To begin with, I have had such a blast interviewing and getting to know so many cool authors these past few months, that I will be digging into their stuff post haste.
Right now, for instance, I am in the middle of Matthew W Harrill’s Hellbounce, book 1 of The ARC Chronicles. I interviewed Matt back in early November; if you haven’t heard that episode yet, go back and listen! Matt’s a Brit, so his accent alone is fascinating. Plus he’s a hell of a horror author and an all-around outstanding gent. And seriously, Hellbounce is wonderfully terrifying. Grab it now!
Post at least one Fun with Fiction podcast episode per week. (Sorry if I’ve been bad about consistency. I’ll get better!)
Publish at least six books, including:
Two full-length novels
Three children’s/young adult books
One non-fiction book
Get to know and interview at least twenty more great authors, delving into what makes them great
Meet a hundred or more fans and build a community of fellow acolytes of awesome who will spread the word about Fun with Fiction (and how great stories make all our lives better)
This I do resolve. HOLD ME ACCOUNTABLE! Don’t let me get away with short-changing listeners, readers, fellow authors, and everyone else who deserves my very best. Contact me and call me out on any b***s*** I try to pull. Tough love is the love that really counts.
How about you? What outstanding resolutions will you follow through on in the coming year? Is there some way I can help you pursue your goals? Let me know!
Thanks for making 2014 fantastic, Fictioneer! Let’s make 2015 even better.
First off, an announcement: I (your host, Luke J. Morris) will be at Mighty-Con Comic Show in Wheaton, IL this Saturday (12/13/14). The show takes place at the Dupage County Fairgrounds, building 1, from 10 AM to 5 PM. I’ll be selling and signing copies of five of my best books, as well as posing for photo ops, networking with other creatives, and generally nerding it out with all the great fans who drop by my table. So come on out and say hi! I’d love to see you.
Now, on to the podcast.
Happy am I to welcome my best friend and illustrator Mo Simpson back to the show!
This episode is similar to an Eyeteeth outing, in that we talk about everything. Well, almost everything. I think my initially-planned topic was going to be “favorite Christmas movies”, but we never touch on that at all.
We do discuss reality television, the nature of fame, the idea of branding yourself (no, not like a horse), and the benefits and hazards of building that brand. Steven Pressfield‘s The War of Art comes up repeatedly. I point out the similarities between the Kardashians, Honey Boo Boo, and Madonna – using Pressfield’s idea of employing yourself – and your image – as a brand (separate from your true identity as a person).
Mo laments Tim Burton‘s lack of fulfillment on his early, Batman-era promise. Is Johnny Depp to blame for his recent string of less stellar movies?
Mo and I both hates us a poorly-written book. (On an entirely unrelated note, Dan Brown will probably never come on my show.) But we often love bad movies, and we tend to appreciate things that are over-the-top, a la Meat Loaf. See the great Mr. Loaf team up with Michael Bay (and a young Angelina Jolie!) here:
We talk about a lot more stuff in our compact hour, but I’m tired of writing about it. Listen to the podcast!
And once you’ve done that, rate it on iTunes. Please tell your friends about us. Spread the word that Fun with Fiction rocks! (If, y’know, you think it rocks. If you think it sucks, just keep your big mouth shut. Thanks luv!)
As long as you’re here, sign up for the Fun with Fiction newsletter, why don’tcha? You’ll get some great free fiction, and news about upcoming events and things that be going on with the podcast. Don’t you owe it to yourself to know all that?
Written by Luke J. Morris (yours truly) and illustrated by Mo Simpson (of Eyeteeth Podcast fame), this is the perfect piece of Lovecraft lore for all ages. As one reader says, “It’s got everything I wanted: extra dimensional gods, lost cities, destruction, insanity, and parents that are worse than me.” What more could you want?
It’s our mission to bring the message of the Old Ones to new generations – but we can only do that with your help! So please, consider dropping your one buck on our book, and giving our demented storytelling a try. You’ll be glad you did!
(Note that this sale is only good until 11 PM Pacific time on Friday, April 11th. So jump on it now before you forget and miss out!)
Okay, shameless self-promotion aside – in honor of the above-mentioned sale, I dedicated this podcast episode to all things Lovecraftian. I discuss the mad genius that is ol’ H.P. Lovecraft, including his concepts of the Old Ones, the Elder Gods, Cthulhu (of course), R’lyeh, the Deep Ones, the Shoggoths, and other things that drive men to madness in the midst of their dreams.
To the entities of the Cthulhu Mythos, we are as ants. Less than ants. Worthy of no notice whatsoever. The horror of the Old Ones and their ilk lies in their entire alienness to us. We are bound, in our puny mortal sphere, to the perception of 3-dimensional space and pure Euclidean geometry. But what about beings who live among us, but exist in dimensions separate from and beyond those we can comprehend? Dimensions where acute angles behave as if they were obtuse, and where the smallest beings are so massive in size they make Godzilla look like a chihuaha?
This was the world as Lovecraft saw it.
But my thesis is: the very fact that he could imagine such things proves that humans are far greater than he gives us credit for.
In this episode I give you readings from Lovecraft’s The Tomb, Azathoth, The Shadow over Innsmouth, At the Mountainsof Madness, and (of course) The Call of Cthulhu. I also read from my own Cthulhu 4 Kids: Old Ones at the Beach ($0.99! Pick it up! 😎 ) and our upcoming Cthulhu 4 Kids II: A Day in R’lyeh (available soon!).
Enjoy your eldritch dreams, my beautiful Fictioneers! May you have some happily horrified readings.
After a fun and edifying discussion with Mo and his son Miles, we dig into the heart of it – fun with new art tools, what the Cthulhu 4 Kids project is all about, how to do creative work with a baby around…
And then the fun starts.
Mo goes on a rant – and I mean a passionate, no-holds-barred tear-down (with only occasional edifications from me) – on what’s great about weirdness in art, what sucks about “Modern Art”, and the many ways illustration can be used to enhance a story (or tell a story of its own).
Somehow, we never do get around to talking about our favorite works of fiction. But who cares! The convo is as lively, hilarious, and insightful as ever (as Eyeteeth Podcast listeners would expect). And we have plenty to talk about next time!
Like: What is Mo’s favorite book??? (Email your guesses to email@example.com. Maybe you’ll win a prize if you guess right!)