I start off this episode with a shout-out to some awesome author friends of mine who have been doing dynamite work recently: children’s author (and my illustrator for Hello, Halloween) Donovan Scherer; award-winning horror author Matthew Harrill; and hilarious master parodist Paul Erickson. Pick up their books for your loved ones this Christmas!
Now, on to the meat of the show, where I read you the first story from my book Christmas Calamities. ‘The Lost Helper’ tells the tale of a poor elf left behind in a family fireplace on Christmas Eve. Things only get worse when the household children discover him. Will he be able to get back to Santa in time?
Listen in to find out!
And while you’re at it, pick up the book! ‘The Lost Helper’ is only one of several fun holiday yarns therein. It’s inexpensive, easily transportable, and makes a great stocking stuffer. Enjoy!
Per Wikipedia, “Literary fiction is a term principally used for certain fictional works that hold literary merit. In other words, they are works that offer deliberate social commentary, political criticism, or focus on the individual to explore some part of the human condition. Literary fiction is deliberately written in dialogue with existing works created with the above aims in mind. Literary fiction is focused more on themes than on plot.”
What is “popular” fiction?
Also per Wiki, “Genre fiction, also known as popular fiction, is plot-driven fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.[“
“Literary fiction is more character-driven and less concerned with a fast-paced plot than genre fiction… [but…] Just as the best genre novels are populated by well-crafted fictional characters, so the best literary novels have page-turning plots.”
Exactly. I find this whole distinction suspect. Read Faulkner, then Dunsany. What makes the first “literary” and the latter “genre” fiction? Who’s to say the Faulkner is better?
On my bookshelf, Seamus Heaney’s translation of Beowulf sits next to Tim Powers’s The Anubis Gates. Dostoyevsky’s Notes from Underground butts against Robert Ludlum’s The Bourne Identity, Dickens’s Great Expectations shares shelf space with Stevenson’s Kidnapped, Thomas Mann’s Death in Venice kisses up to Ian Fleming’s Dr. No, and the shadow of Robert Heinlein’s Stranger in a Strange Land falls upon Joseph Conrad’s Heart of Darkness.
Here’s the thing: I don’t think any one of these tomes is necessarily, objectively better than any other. I enjoy some more than others, and some I appreciate more at certain times than others (depending on my mental state and emotional mood), but none of that shows that Dickens is somehow more “literary” – that is, of higher quality – than Heinlein. They were both popular authors of their day. They both have something to say, a worthwhile message to pass along. They both use the tools of language and story to convey it. Why do snooty English majors turn up their noses at one, but not the other?
Enjoy my lecturings! I gave this talk to a group of 9th graders a few weeks ago, and they got a kick out of it (though I think I kind of terrified them). Now it’s your turn to listen in, read along, and enjoy the fun.
And an announcement:
This weekend – Friday, February 27th through Sunday, March 1st – the books below are available for FREE on Amazon. Pick them up!
And for the next five days (through March 4th), the books below are ONLY $0.99!! Grab them as well.
Enjoy the reads, and thanks for listening!
If you do like my books, please review them on Amazon! And if you like the podcast, please rate and review it on iTunes, comment below with what you’d like to hear me talk about, email me at email@example.com, and most importantly, subscribe to the Fun with Fiction newsletter! I’ll send you all kinds of free stuff and good news (but no more than once a week), 100% spam-free.
First off, I apologize for taking so long to get this episode out. I actually did this interview a while ago, but since then I’ve been in the midst of a move from Chicago to Phoenix, and I only just got my internet hooked up in my new location, so…
Here it is! [I know, I know, I already broke my New Year’s resolution to publish one episode a week. (But aren’t such resolutions made to be broken?) They’ll get more regular from here on out, I promise!]
A few weeks back I had the honor of speaking with J. Thorn. J. is a best-selling horror author whose name has graced the top of the charts alongside the likes of Stephen King and Dean Koontz. How epic is that?
What has rocketed J. to a permanent place in the list of the top 100 (and occasionally the top 5) horror authors on Amazon?
In addition to the quality of his work, though, it helps J.’s sales that he is incredibly prolific. I count over 20 separate (non-overlapping) titles on his Amazon page – many of which are full-length novels. Not bad for a career that only started in 2011! J. also has a great head for book marketing, and, being a friendly and cooperative soul, he has joined with other great horror and dark fantasy authors to create bargain book bundles, each of which costs only $0.99, and each of which features 7 or more funtabulously frightening novels. (Click the pics below for those great bargain buys.)
Last year J. got even more ambitious in his collaborations, and became one of the authors (as well as the compiler/editor) of a 10-author collaborative novel, The Black Fang Betrayal. It’s a fascinating dark fantasy, blending the imaginations of some great modern authors into a single cohesive story. (I compare it to George R.R. Martin & friends’ Wild Cards series.) Grab that one now. It’s seriously cool.
Speaking of collaborations, if you want to be a good person, why don’t you drop $0.99 to join J. and other great horror-makers as they Scare Cancer to Death?
Now, if you haven’t already, listen in as Mr. Thorn and I discuss the business aspects of being an independent author, the good feelings even the tiniest bit of success can give us, our favorite horror/dark fantasy books and movies, and many other weird topics.
J. lives in Cleveland, where apparently no one but him rocks anymore. But the man has spent large parts of his life performing heavy metal – so, of course, we talk about our favorite metal bands, and how they may or may not inform our literary tastes.
Along with everything else he’s done, J. was the co-host (with Richard Brown) of the Horror Writers’ Podcast. That ‘cast is sadly no longer going – and of course I give J. a hard time about that – but I encourage any fiction writers out there to listen to the back episodes! It certainly informed and inspired me in its brief run, and I someday hope to hear J. once more sharing his wisdom in the podcastsphere.
As I said, J.’s a good dude, and he proves it by looking out for his fellow indie authors. Check out his thoughts here:
J. convinced me to join Pinterest a few months ago, though I confess I still have no idea how to use it. He does, however, so go ahead and follow him on Pinterest. It’s hella-entertaining.
I hope you enjoy this conversation as much as I did! J.’s a fantastic author, a hell of a businessman, and an all-around cool guy.
Comment below or shoot me an email at firstname.lastname@example.org and let me know what you thought of this episode! And while you’re here, don’t forget to sign up for the Fun with Fiction Newsletter – your way to keep abreast of all the awesome stuff going on in the made-up world.
Now to business. After a two-week holiday hiatus, I have returned with a vengeance, ready to kick 2015 in the arse in the best way possible. And what better way to start the year than by listing some of the great books I plan to read in the next 52 weeks?
To begin with, I have had such a blast interviewing and getting to know so many cool authors these past few months, that I will be digging into their stuff post haste.
Right now, for instance, I am in the middle of Matthew W Harrill’s Hellbounce, book 1 of The ARC Chronicles. I interviewed Matt back in early November; if you haven’t heard that episode yet, go back and listen! Matt’s a Brit, so his accent alone is fascinating. Plus he’s a hell of a horror author and an all-around outstanding gent. And seriously, Hellbounce is wonderfully terrifying. Grab it now!
Post at least one Fun with Fiction podcast episode per week. (Sorry if I’ve been bad about consistency. I’ll get better!)
Publish at least six books, including:
Two full-length novels
Three children’s/young adult books
One non-fiction book
Get to know and interview at least twenty more great authors, delving into what makes them great
Meet a hundred or more fans and build a community of fellow acolytes of awesome who will spread the word about Fun with Fiction (and how great stories make all our lives better)
This I do resolve. HOLD ME ACCOUNTABLE! Don’t let me get away with short-changing listeners, readers, fellow authors, and everyone else who deserves my very best. Contact me and call me out on any b***s*** I try to pull. Tough love is the love that really counts.
How about you? What outstanding resolutions will you follow through on in the coming year? Is there some way I can help you pursue your goals? Let me know!
Thanks for making 2014 fantastic, Fictioneer! Let’s make 2015 even better.
First off, an announcement: I (your host, Luke J. Morris) will be at Mighty-Con Comic Show in Wheaton, IL this Saturday (12/13/14). The show takes place at the Dupage County Fairgrounds, building 1, from 10 AM to 5 PM. I’ll be selling and signing copies of five of my best books, as well as posing for photo ops, networking with other creatives, and generally nerding it out with all the great fans who drop by my table. So come on out and say hi! I’d love to see you.
Now, on to the podcast.
Happy am I to welcome my best friend and illustrator Mo Simpson back to the show!
This episode is similar to an Eyeteeth outing, in that we talk about everything. Well, almost everything. I think my initially-planned topic was going to be “favorite Christmas movies”, but we never touch on that at all.
We do discuss reality television, the nature of fame, the idea of branding yourself (no, not like a horse), and the benefits and hazards of building that brand. Steven Pressfield‘s The War of Art comes up repeatedly. I point out the similarities between the Kardashians, Honey Boo Boo, and Madonna – using Pressfield’s idea of employing yourself – and your image – as a brand (separate from your true identity as a person).
Mo laments Tim Burton‘s lack of fulfillment on his early, Batman-era promise. Is Johnny Depp to blame for his recent string of less stellar movies?
Mo and I both hates us a poorly-written book. (On an entirely unrelated note, Dan Brown will probably never come on my show.) But we often love bad movies, and we tend to appreciate things that are over-the-top, a la Meat Loaf. See the great Mr. Loaf team up with Michael Bay (and a young Angelina Jolie!) here:
We talk about a lot more stuff in our compact hour, but I’m tired of writing about it. Listen to the podcast!
And once you’ve done that, rate it on iTunes. Please tell your friends about us. Spread the word that Fun with Fiction rocks! (If, y’know, you think it rocks. If you think it sucks, just keep your big mouth shut. Thanks luv!)
As long as you’re here, sign up for the Fun with Fiction newsletter, why don’tcha? You’ll get some great free fiction, and news about upcoming events and things that be going on with the podcast. Don’t you owe it to yourself to know all that?
I met Paul at the Chicago Wizard World Comic-Con last year, where he hosted a panel on “Self-Publishing vs. Traditional Publishing”. We immediately hit it off – both of us being indie authors, native Oak Parkers, and Tolkien geeks. We’ve had several hilarious discussions on Middle Earth and George Lucas, so I was thrilled to finally get one of those talks on the record for you, my lovely Fictioneer. Enjoy it well!
And if you want to pour yourself a tasty adult beverage while sampling this geeky aural debauchery – go right ahead. Paul and I were each indulging in a drink, and I believe it gave our talk a touch of the savoir faire that all discourses of great pith and moment need.
And if you’re in the Chicago area in April, come see Paul (and hopefully me) at C2E2! It’s a blast, guaranteed.
Speaking of blasts, drop by Mighty Con in Wheaton this coming Saturday! I’ll be there selling and signing paperbacks of some of my best books (including the ones below). The whole Parable Comics crew will be there, as well. Come check it out!
Thanks for listening, my friend. Don’t forget to sign up for the Fun with Fiction newsletter to receive some fun free fiction, along with breaking news and updates. And email me at email@example.com with any questions or suggestions (including requests to be on the show!).
Hola, Fictioneers! Here is part deux of my fantastic interview with fantasy author and all-around badass Orlando Sanchez.
In case you missed it last time, these are Orlando’s books:
And his magnum opus, The Spiritual Warriors (Book 1 of The Warriors of the Way), is being re-edited and re-released in January, with the next two books in the series to follow shortly thereafter. Can’t wait for that!
As you can probably tell, Orlando likes to incorporate martial arts philosophy into his fiction (whereas I tend to keep them separate). We discuss how he accomplishes this, making his books read like mystical kung fu films for the modern age. (Think Crouching Tiger, Hidden Dragon meets The Matrix.)
Returning to the writer’s perspective, we talk about how horrible it is to get a great story idea while you’re in the middle of writing another story (I’m sure our fellow writers can relate). What can you do? Keep on pushing through, no matter how much your ADHD and self-doubt scream at you to change course. Remember, though it is art, you must treat it like a job. And sometimes, jobs just suck.
And the rough draft (a la NaNoWriMo) is just the beginning.
Then comes the editing, and the wretched pain of murdering your darlings (meaning your words, not your children). As Bruce Lee put it: hack away the inessentials, and let the beautiful tree within flourish. And in a rough draft, there are a lot of inessentials. Only once a book has been thoroughly edited and revised is it ready to show to the world.
But you also can’t show it to the world without a great cover. Sure people say you shouldn’t judge a book by its cover… but everyone still does it. Since the great book cover designer and book publishing/marketing master Derek Murphy introduced us, it’s only fair to give him a shout-out here, as well. (Derek designed the new cover for The Spiritual Warriors. Take a look at it in this post’s featured image!)
Yes, all of this is a lot of work. But hey – no one said writing was easy. (Well, actually, a lot of people say that – but they’re not writers.)
Thanks again for listening! Please email me at firstname.lastname@example.org if you’d like to be on the Fun with Fiction podcast. If you’re an author, an avid reader, or just someone with an interesting take on storytelling, I’d love to talk to you.
Peace out and read on,
[P.S. – I know I say this EVERY time, but I’m going to keep doing it ’til everyone signs up: If you want some great FREE books, other give-aways, and to hear all the latest stuff going on in the Fun with Fiction world, CLICK HERE. Thanks!]
Today I had the great pleasure of talking to Sensei Orlando Sanchez – a fellow independent fantasy author and martial artist with a lot of insight on what makes fiction fun.
Seriously, we talked for over two hours, and I (devout professional that I am) decided to simply hit the record button in the middle of our conversation – so the “interview” begins with Sensei Orlando in the middle of a sentence about the need for an editor. Our talk moves on to a whole range of topics, from our favorite authors (including J.R.R. Tolkien and Jim Butcher) to the horrific despair we writers feel when we’re 30,000 words into a manuscript and we positively HATE our novel. (I blogged about that just yesterday here.)
I’ve had to split this interview into two pieces due to system constraints – but both halves are well worth the listen! Entertaining and useful information for readers and writers alike.
If you want to try Orlando’s writing out, click on the pics below to pick up these short stories for $0.99 each. They’re tons of fun.
If you’re ready to dive into the novels (I know I am!), grab these:
And keep an eye out for the newly-edited 2nd addition of The Spiritual Warriors – coming in early January 2015. (See his Facebook post about it below)
I apologize for my summer-long hiatus, and I hope you returning listeners will forgive me and stick around for some of the great stuff I have planned. And for you new listeners – welcome! I shall strive to keep you informed and entertained beyond your wildest imaginings. Or somethin’ like that.
To begin with – in order to make up for my fair-but-harsh treatment of Divergent a few months back, I here offer a far more positive, uplifting review of Guardians of the Galaxy – both the movie, and the comic books. They are excellent. Read them. And watch the film (still in theatres, I believe). It’s totally worth it. The combination of humor, action, and pathos is on a par with Casablanca.
Except in space. With a talking tree.
You’ll love it, I swear.
Let me know what you think about this episode! Comment below, email me at email@example.com, and sign up for my mailing list to get the latest news and cool free stuff.
Also, just so you all know, I will be at Mighty Con Comic Show in Wheaton, IL on September 27th (less than two weeks away!), signing books and meeting fans and fellow creatives/enthusiasts of awesome. If you’re in the Chicago area, I’d love to see you there. Stop by my booth and say hi!
This one’s for the writers out there! I’ve gathered some of the best tips and resources I know to help you in writing, publishing, and marketing your work, and I share them here with you, in the hopes that you’ll be able to glean something of value from them as I have. As this is all about me recommending other people & things to you, I’m posting my show notes raw again, since all you really want are the links anyway.
Thank you all for listening and showing your support! I can’t wait to see where this podcast might go in the next few years. Maybe some day soon you and I will be mentioned as a formative influence by another up-and-comer in the fiction world. 🙂
Big news plug for authors:
I have no connection to the project, but Fiction Unboxed is happening. Self-Publishing Podcast hosts and Realm & Sands authors Johnny B. Truant & Sean Platt will write a complete novel in 30 days – and show us every step of the process! Only three more days – get in on that before the Kickstarter ends.
Look into these resources, incorporate what works, discard what doesn’t, and add what is uniquely your own. (Yes, that’s a Bruce Lee reference.) And if you do get something of value from this episode/post – or if it gives you nothing at all, and you wish I would talk about something else – please email me at firstname.lastname@example.org and tell me about it! I love feedback of all kinds.
‘Til next time, good luck with your writing, and keep them stories coming!
Part 2 of my conversation with Mo Simpson starts off on a brilliantly blasphemous note, introducing a neo-pagan interpretation of Biblical scripture and an insane but believable etymology of the word “Hollywood”. Did you know Hollywood, the right arm of the government, was founded by Druids?
You do now. Consider yourself edumacated.
Speaking of Hollywood, we can’t resist discussing the tenuous relationship between comic books and the movies. Just how unfaithful is Hollywood’s recreation of Watchmen? Is Alan Moore right to condemn the medium of film for corrupting the art of the comic?
From there we transition to a discussion of the various film incarnations of a certain nocturnal superhero (I’ll give you three guesses). Who was the best Batman? The best Joker? The best supervillain in general? And the controversial topic of the day – Ben Affleck as the Dark Knight: horrible mistake, or spitting in the face of God?
While we’re on the subject of gods, does anyone else think that superheroes are our modern versions of the ancient Greek deities? (I mean, heck, some of them areancient Greek deities!) I do, and I make my case fantastically, if I do say so myself.
This leads to a discussion of mythology and the necessity of myth in providing meaning to culture. No one recognized this better than J.R.R. Tolkien, who created his Middle Earth to provide a new mythopic structure that Britain was sorely lacking. Granted, he did this in a very Catholic way (see my friend Brad Birzer‘s book J. R. R. Tolkien’s Sanctifying Myth: Understanding Middle-earth for a better understanding of that), but it’s hard to deny the brilliance of his symbolism, no matter what your beliefs are.
We talk about varieties of myth throughout the ages, the benefits of reading The Bible and other spiritual texts as literature (whether or not you believe they are literally true), and what makes myth still essential to the modern man. Calling something a myth, in the traditional sense, is not saying that it is untrue. Myth was rather a way of stating the truth – that is, telling the truth through a story that people could relate to and understand.
People need myths. This is why Nietzsche, anti-Christian that he was, lamented the “death” of God. While Newton’s mechanistic view of the universe might have had the positive result of turning many people away from irrational superstitions, it left a void; it left people with nothing to believe in. Those of us who no longer hold to religion – or no longer hold it as a dominant force in our lives, whether or not we nominally believe in it – must find a new locus of meaning.
Throughout this discussion, Mo peppers us with historical etymologies of numerous terms, including “Lord of the Rings” (Saturn?), “Luke Skywalker” (Horus, Loki, or Lucifer?), and “The Holy Trinity” (um… you just gotta listen to this one). I point out the difference between symbolism and allegory, and Mo adds that his favorite fiction is the real world that we face every day.
That last happens to be my least favorite fiction, as media-fed B.S. is more depressing than enlightening. This is why I read (well, one reason of many).
What do you think? Does myth have a function in the modern world? If so, what kind of mythology do you turn to – religion, superheroes, esoteric theories, or some other collection of weird and wonderful concepts?
Speaking of books, I have a new one out! It’s Captain Napalm vs. the Grungious Gundabad, based on disturbingly hilarious superhero stories I’ve been telling my son at bedtime. The Kindle version is available on Amazon for only $0.99, so if you want to support the Fun with Fiction podcast, pick it up today!
Or here’s an even better option: if you’re into superheroes and sophomoric humor, you’re interested in reading Captain Napalm, and you’re willing to write it an honest review on Amazon within the next month (it’s not a long book), send me an email at email@example.com, and I’ll send you a free review copy! (In the interest of sanity I have to limit this offer to the first 25 people who email me, though – so shoot me a message today.)
Thank you all, Fictioneers! I hope you’re enjoying my ramblings. If you have anything to say – what you like, what you hate, what you want more of – let me know. Comment below, review me on iTunes, or just shoot me an email. I’d love to hear from you.
That’s right – Mo Simpson is back on the Fun with Fiction podcast, talking to Luke J. Morris (yours truly) about the struggles of artists, the connection between religious texts and ancient mythologies, the shortcomings of the classical “hero’s quest” version of story, the tenuous relationship between books and the movies (or TV shows) they spawn, and the great weirdness that is Chuck Palahniuk.
This is a two-parter, folks, so don’t forget to tune in next time, when things get even crazier!
Written by Luke J. Morris (yours truly) and illustrated by Mo Simpson (of Eyeteeth Podcast fame), this is the perfect piece of Lovecraft lore for all ages. As one reader says, “It’s got everything I wanted: extra dimensional gods, lost cities, destruction, insanity, and parents that are worse than me.” What more could you want?
It’s our mission to bring the message of the Old Ones to new generations – but we can only do that with your help! So please, consider dropping your one buck on our book, and giving our demented storytelling a try. You’ll be glad you did!
(Note that this sale is only good until 11 PM Pacific time on Friday, April 11th. So jump on it now before you forget and miss out!)
Okay, shameless self-promotion aside – in honor of the above-mentioned sale, I dedicated this podcast episode to all things Lovecraftian. I discuss the mad genius that is ol’ H.P. Lovecraft, including his concepts of the Old Ones, the Elder Gods, Cthulhu (of course), R’lyeh, the Deep Ones, the Shoggoths, and other things that drive men to madness in the midst of their dreams.
To the entities of the Cthulhu Mythos, we are as ants. Less than ants. Worthy of no notice whatsoever. The horror of the Old Ones and their ilk lies in their entire alienness to us. We are bound, in our puny mortal sphere, to the perception of 3-dimensional space and pure Euclidean geometry. But what about beings who live among us, but exist in dimensions separate from and beyond those we can comprehend? Dimensions where acute angles behave as if they were obtuse, and where the smallest beings are so massive in size they make Godzilla look like a chihuaha?
This was the world as Lovecraft saw it.
But my thesis is: the very fact that he could imagine such things proves that humans are far greater than he gives us credit for.
In this episode I give you readings from Lovecraft’s The Tomb, Azathoth, The Shadow over Innsmouth, At the Mountainsof Madness, and (of course) The Call of Cthulhu. I also read from my own Cthulhu 4 Kids: Old Ones at the Beach ($0.99! Pick it up! 😎 ) and our upcoming Cthulhu 4 Kids II: A Day in R’lyeh (available soon!).
Enjoy your eldritch dreams, my beautiful Fictioneers! May you have some happily horrified readings.
In this special edition of the Fun with Fiction blog, I, Luke J. Morris, am giving you an episode of my other podcast: Mo Simpson‘s Eyeteeth Podcast, which I co-host. We don’t always talk fiction over there, but when we do – well, we don’t bother talking about it. We make like Nike and just f*ing DO IT.
If you like your fiction in the form of a multi-cast dramatic reading – be that plays, movies, TV, or audiodramas – you will love this.
Unless you hate comedy and Greek mythology. Then you won’t.
Turns out he wrote Clapping because he really likes comedy, and he noticed a dearth of fiction works dealing with the lives of improv comedians. He’d also never written a children’s/young adult book before, and he wanted to try his hand at that. So naturally he penned a 4-part novel about a boy who loses an arm in a horrific accident. The best of both worlds!
(And honestly – if you don’t want to read the book after a pitch like that, why the hell are you listening to my podcast?)
As for 188 – that’s just Drew trying to mess with our heads. He tells 188 stories of 188 words each, but they’re actually the disconnected pieces of 47 stories, which all fit crazily together into one larger narrative. I think he just hates the concept of linear time. But so did Homer, and The Odysseyand The Iliadare still pretty popular.
Drew’s favorite author is Wilson Rawls, author of Where the Red Fern Grows, one of the most painful children’s novels ever written. (Seriously. I still get teary-eyed when I think of it, and I don’t think I’ve read the book in two decades.) It’s beautiful storytelling – with a beginning, a meaty middle, and an end that punches you in the gut hard enough to knock your spine out your back.
In a work of fiction, Drew says, “I want to be transported to a place I’ve never been before; and if I have been there before, I want to learn something about it that I didn’t know before – something that may or may not even be true.” I think a lot of us can relate. Otherwise, why read fiction?
What would you like to see more of in the fiction world? For Drew, “People need to get a lot more weird. And they need to be comfortable with being weird.”
Amen, my brother.
To that end, we discuss authors as diverse as Jack Kerouacand H.P. Lovecraft, with a nice plug for my book Cthulhu 4 Kids – my Batman Begins, as it were. And he raises a few good questions, like: How do you pronounce ‘Cthulhu’? Are there boat tours to the sunken city of R’lyeh? What’s the connection between Lovecraft and Gene Roddenberry? We also discuss Metallica‘s brilliant Lovecraftian tribute songs ‘The Call of Ktulu’ and ‘The Thing that Should Not Be’.
So if weirdness and transport to a new place or new perspective are what’s good, what sucks in fiction today? Drew’s answer: derivative work. Veronica Roth‘s Divergent, for instance, is the latest instance of a formula that was already overdone beforeThe Hunger Gamescame out.
This leads, of course, to talk of Hollywood, and how almost every film released is either a sequel or a remake of some previous work. The upside of this is Quentin Tarantino– one of the greatest storytellers in the medium of cinema today.
Tarantino knows how to tell a story – from quirky badass characters to mucking around with time to leaving the right things out to entice the viewer’s interest – that sucks you in and won’t let you leave till the credits are done. (I use the word “brilliant” about 15 times in about two minutes, but that’s okay, since the subject deserves it.)
But back to the written word…
Drew’s plans for the year – once Clapping is complete – include delving into the Book of Genesisand rewriting the story from an altered perspective. He doesn’t mean to insult religion outright, but he does want to challenge readers to think about deeply held beliefs and ideas in a new way. (And really, look at the source: talking snakes and massive floods and 600-year-old men. What’s all that about, huh?)
Like any dedicated writer, Mr. Flynn is constantly working to improve his craft. To that end, his (and my) advice to fellow authors is to…
Keep writing. Write as much as you can, as often as you can. (Every day if possible.)
Keep reading. Fill your brain with good stuff – the quality of work you’d like to produce.
Get feedback. Have editors and beta readers that you trust read your work and give you their honest reactions to it. What’s good about what you’ve written? Where could it be better?
Use proper grammar, dammit! If you are going to break the rules, make sure you do it consciously, in the right way and for the right reasons.